1
00:00:00,000 --> 00:00:02,990
In the previous movie, we managed to successfully get rid of the unwanted

2
00:00:03,000 --> 00:00:03,990
people in the scene.

3
00:00:04,000 --> 00:00:07,990
In this movie, I'll show you how to reinstate the wanted people.

4
00:00:08,000 --> 00:00:11,990
We're going to do so by adjusting this layer mask so that we transform our

5
00:00:12,000 --> 00:00:15,990
progress so far into this final composition.

6
00:00:16,000 --> 00:00:19,990
We'll manage the task primarily with the help of multiple applications of the

7
00:00:20,000 --> 00:00:21,990
Color Range command. All right!

8
00:00:22,000 --> 00:00:23,990
I'm going to go ahead and switch to my image in progress.

9
00:00:24,000 --> 00:00:27,990
We'll start off by fixing the details on the right side of Mary's head.

10
00:00:28,000 --> 00:00:31,990
And so I'm going to Shift+Click on that layer mask thumbnail there in the Layers

11
00:00:32,000 --> 00:00:37,990
panel to deactivate the mask and make sure that the image thumbnail is selected.

12
00:00:38,000 --> 00:00:39,990
That's very important.

13
00:00:40,000 --> 00:00:43,990
Then go ahead and marquee the small area right here that just includes the top

14
00:00:44,000 --> 00:00:44,990
strap of her white dress.

15
00:00:45,000 --> 00:00:49,990
And then go up to the Select menu and choose the Color Range command, and make

16
00:00:50,000 --> 00:00:53,990
sure that the Fuzziness value is set to 40, as by default, both the Localized

17
00:00:54,000 --> 00:00:56,990
Color Clusters and Invert checkboxes are turned off.

18
00:00:57,000 --> 00:01:01,990
Then click inside of this white area and Shift+Drag around until you select

19
00:01:02,000 --> 00:01:05,990
everything, as you can see here inside the Color Range dialog box.

20
00:01:06,000 --> 00:01:07,990
We're going to be using this command a lot,

21
00:01:08,000 --> 00:01:12,990
so bear in mind that anything that appears white inside the dialog box, assuming

22
00:01:13,000 --> 00:01:16,990
these settings, assuming Selection is turned on down here at the bottom and

23
00:01:17,000 --> 00:01:21,990
Selection Preview is set to None, anything that appears white will be selected,

24
00:01:22,000 --> 00:01:23,990
anything that appears black will be deselected.

25
00:01:24,000 --> 00:01:27,990
Go ahead and click OK in order to select that region.

26
00:01:28,000 --> 00:01:31,990
Click on the layer mask thumbnail to once again turn it on and to make it active.

27
00:01:32,000 --> 00:01:35,990
And then I want you to press the D key to instate your default colors here.

28
00:01:36,000 --> 00:01:39,990
So with white as the foreground color, press Alt+Backspace or Option+Delete to

29
00:01:40,000 --> 00:01:40,990
fill that area with white.

30
00:01:41,000 --> 00:01:44,990
Now it may seem like we haven't done much, but it's going to turn out to work nicely.

31
00:01:45,000 --> 00:01:48,990
Shift+Click on that layer mask thumbnail again to turn it off, click on the

32
00:01:49,000 --> 00:01:50,990
layer thumbnail to make it active,

33
00:01:51,000 --> 00:01:55,990
and now we need to select this region right here all the way from about the

34
00:01:56,000 --> 00:02:00,990
midsection of her ear and into her neck, as you can see, all the way down to the

35
00:02:01,000 --> 00:02:05,990
intersection of her neck and then going into her collarbone area right there,

36
00:02:06,000 --> 00:02:10,990
intersecting the dress, so that we're taking the white zone out of the equation. All right!

37
00:02:11,000 --> 00:02:14,990
With this area selected--and you may recall that the Color Range command only

38
00:02:15,000 --> 00:02:18,990
selects inside of the selected region of the image--then you go up to the Select

39
00:02:19,000 --> 00:02:20,990
menu and choose Color Range again.

40
00:02:21,000 --> 00:02:25,990
And this time I want you to click in this area of flesh right there and then

41
00:02:26,000 --> 00:02:29,990
Shift+Drag up her neck. Do not drag over the hair.

42
00:02:30,000 --> 00:02:33,990
So once you get to about this region, stop dragging and then Shift+Drag around

43
00:02:34,000 --> 00:02:38,990
the base of the ear like so. Keep an eye on that selection: make sure it doesn't

44
00:02:39,000 --> 00:02:40,990
jump into his jacket.

45
00:02:41,000 --> 00:02:45,990
Then I want you to Shift+Click a few times in the earring in order to select

46
00:02:46,000 --> 00:02:47,990
these regions right there.

47
00:02:48,000 --> 00:02:51,990
Once your selection looks like that-- I went too far, by the way--I'll press

48
00:02:52,000 --> 00:02:52,990
Ctrl+Z, Command+Z on the Mac.

49
00:02:53,000 --> 00:02:59,990
Once it looks like that, is what I'm looking for, then go ahead and click OK in

50
00:03:00,000 --> 00:03:01,990
order to create that selection outline.

51
00:03:02,000 --> 00:03:04,990
Click on the layer mask thumbnail once again to select it and then press

52
00:03:05,000 --> 00:03:10,990
Alt+Backspace or Option+Delete on the Mac in order to fill that area with white. All right!

53
00:03:11,000 --> 00:03:12,990
We need to do some additional filling, so I'll go ahead and click off the

54
00:03:13,000 --> 00:03:14,990
selection and deselect the image.

55
00:03:15,000 --> 00:03:16,990
You want to grab the Brush tool now,

56
00:03:17,000 --> 00:03:19,990
so go ahead and click on it to make it active, right click inside the image

57
00:03:20,000 --> 00:03:23,990
window, and crank that Hardness value up to a 100%. All right!

58
00:03:24,000 --> 00:03:25,990
Then press the Enter key a couple of times in order to hide that panel--that

59
00:03:26,000 --> 00:03:30,990
would be the Return key on the Mac--and then go ahead and click right about here

60
00:03:31,000 --> 00:03:34,990
in order to fill in that region that needs to be selected.

61
00:03:35,000 --> 00:03:37,990
If you want to view the mask by itself, you can, by Alt+Clicking or

62
00:03:38,000 --> 00:03:39,990
Option+Clicking on it like so.

63
00:03:40,000 --> 00:03:43,990
I'm going to Alt+Click or Option+ Click again to switch back to the image.

64
00:03:44,000 --> 00:03:48,990
Now I'm going to click right about here. Actually this is very important, by the way.

65
00:03:49,000 --> 00:03:54,990
I want to show you something. Go up to the Window menu and choose the Brush command, or you can press the F5 key.

66
00:03:55,000 --> 00:03:57,990
By default, your Spacing value is going to be set to 25.

67
00:03:58,000 --> 00:03:59,990
Notice what happens at a Spacing value of 25.

68
00:04:00,000 --> 00:04:02,990
You get this lumpy sort of caterpillar of a brushstroke.

69
00:04:03,000 --> 00:04:03,990
That's not what we want.

70
00:04:04,000 --> 00:04:07,990
We need smooth brushstrokes, so take that Spacing value down to 10.

71
00:04:08,000 --> 00:04:13,990
And then go ahead and close the Brush panel and click right about there at that

72
00:04:14,000 --> 00:04:18,990
corner underneath the ear and Shift+Click right there in order to fill in that

73
00:04:19,000 --> 00:04:21,990
missing region of neck and hair, by the way.

74
00:04:22,000 --> 00:04:25,990
And then you can paint some inside of the ears.

75
00:04:26,000 --> 00:04:27,990
We're staying well inside of the masked zone of course.

76
00:04:28,000 --> 00:04:30,990
If you want to smooth things out a little bit, you can.

77
00:04:31,000 --> 00:04:34,990
One way to work, and probably the best way, is to go ahead and grab the Lasso tool.

78
00:04:35,000 --> 00:04:39,990
This area is pretty choppy, so I'm going to select it like so, and then you can

79
00:04:40,000 --> 00:04:44,990
go up to the Filter menu and choose the Noise command and then choose Median.

80
00:04:45,000 --> 00:04:48,990
And go ahead and take the Median Radius value up to about 4 pixels actually

81
00:04:49,000 --> 00:04:53,990
looks pretty darn good for this effect, and click OK in order to smooth out that

82
00:04:54,000 --> 00:04:57,990
region, and then click off the selection in order to deselect it. All right!

83
00:04:58,000 --> 00:05:02,990
That looks good. These are by no means perfect details here, but they're good enough for what we got.

84
00:05:03,000 --> 00:05:06,990
For this kind of candid portrait, I think it's going to work just fine. All right!

85
00:05:07,000 --> 00:05:11,990
Now let's try out the next easiest details inside of this image, which are the

86
00:05:12,000 --> 00:05:14,990
shirt collar going down into the shoulder region.

87
00:05:15,000 --> 00:05:18,990
Shift+Click once again on the layer mask thumbnail to turn it off, click on the

88
00:05:19,000 --> 00:05:22,990
image thumbnail to make it active, make sure your Lasso tool is selected.

89
00:05:23,000 --> 00:05:23,990
Here is the region I want you to select.

90
00:05:24,000 --> 00:05:28,990
Press the Alt key or the Option key on the Mac and keep that key down as you go

91
00:05:29,000 --> 00:05:32,990
ahead and enclose this region right here.

92
00:05:33,000 --> 00:05:36,990
Notice this, which is this area of white of his shirt.

93
00:05:37,000 --> 00:05:39,990
You want to make sure that the guy in the background, his shirt is not the least

94
00:05:40,000 --> 00:05:43,990
bit selected, so you don't want to grab this area in here.

95
00:05:44,000 --> 00:05:46,990
Then go ahead and Shift+Drag around this portion of the image, which contains the

96
00:05:47,000 --> 00:05:50,990
other strap of Mary's dress as well as the ring for what little that matters.

97
00:05:51,000 --> 00:05:54,990
We might as well try to grab that earring as long as we're here, but again,

98
00:05:55,000 --> 00:05:57,990
don't get any of the white inside the man's shirt.

99
00:05:58,000 --> 00:06:00,990
Then go to the Select menu, choose the Color Range command.

100
00:06:01,000 --> 00:06:04,990
Make sure that Fuzziness is set to 40, click, Shift+Drag up the shirt.

101
00:06:05,000 --> 00:06:07,990
You will see the man's shirt becomes selected.

102
00:06:08,000 --> 00:06:10,990
However, that's not actually accurate because Color Range only works in the

103
00:06:11,000 --> 00:06:12,990
selected region of the image.

104
00:06:13,000 --> 00:06:17,990
Now let's Shift+Drag inside of her earring and see if we can pick up some of those details.

105
00:06:18,000 --> 00:06:21,990
We're also going to get this sort of edge artifact that's associated with

106
00:06:22,000 --> 00:06:22,990
her neck and jaw line.

107
00:06:23,000 --> 00:06:26,990
We'll have to resolve those problems later, but click OK.

108
00:06:27,000 --> 00:06:30,990
Now with this region selected, go ahead and click inside the layer mask once

109
00:06:31,000 --> 00:06:34,990
again to make it active and press Alt+ Backspace or Option+Delete to fill those

110
00:06:35,000 --> 00:06:36,990
selected regions with white.

111
00:06:37,000 --> 00:06:40,990
And then I clicked off the selection in order to deselect that area. All right!

112
00:06:41,000 --> 00:06:40,990
Let's try again.

113
00:06:41,000 --> 00:06:43,990
Shift+Click on the layer mask to turn it off. Go ahead and click on the image

114
00:06:44,000 --> 00:06:45,990
thumbnail to select it.

115
00:06:46,000 --> 00:06:50,990
This time, I want you to grab this area right there, so that we have the flesh

116
00:06:51,000 --> 00:06:52,990
of the neck selected.

117
00:06:53,000 --> 00:06:56,990
I want you to Shift+Drag around the shoulder like so, and then I want you to

118
00:06:57,000 --> 00:07:03,990
Shift+Drag down from the ear like so into the hands and along the jaw line and so forth.

119
00:07:04,000 --> 00:07:05,990
But we don't want to get any of the gentleman's flesh in the picture.

120
00:07:06,000 --> 00:07:07,990
We're going for the flesh this time, by the way.

121
00:07:08,000 --> 00:07:11,990
Actually, I'm going to Shift+Drag around this region as well, to select it. All right!

122
00:07:12,000 --> 00:07:15,990
Now let's bring up that command again by going to the Select menu and choosing

123
00:07:16,000 --> 00:07:17,990
the Color Range command.

124
00:07:18,000 --> 00:07:22,990
This time I'm going to click inside Mary's face, Shift+Drag around inside

125
00:07:23,000 --> 00:07:26,990
there, Shift+Drag around in the hands as well, make sure to Shift+Drag in her

126
00:07:27,000 --> 00:07:30,990
shoulder, and then notice that the neck flesh here is a different color in so

127
00:07:31,000 --> 00:07:31,990
far as Color Range is concerned.

128
00:07:32,000 --> 00:07:36,990
So we're going to have to Shift+Drag inside of it as well in order to pick it up.

129
00:07:37,000 --> 00:07:41,990
And then go ahead and click OK in order to select those regions of the image,

130
00:07:42,000 --> 00:07:43,990
click on the layer mask thumbnail to make it active once again, and press

131
00:07:44,000 --> 00:07:47,990
Alt+Backspace or Option+Delete on the Mac in order to fill those areas with white.

132
00:07:48,000 --> 00:07:50,990
All right! Now we've got to clean up the mask manually,

133
00:07:51,000 --> 00:07:53,990
so Alt+Click or Option+Click on the layer mask thumbnail to view it

134
00:07:54,000 --> 00:07:55,990
independently of the image.

135
00:07:56,000 --> 00:07:59,990
Let's go ahead and get the Brush tool. Press the X key for starters here to

136
00:08:00,000 --> 00:08:03,990
switch to black. I'm just going to go ahead and click there for the meantime.

137
00:08:04,000 --> 00:08:08,990
Then I'll press the X key to switch back to white and paint that little area away.

138
00:08:09,000 --> 00:08:11,990
We're going to have to resolve the shoulder manually in just a moment.

139
00:08:12,000 --> 00:08:14,990
I'm just going to paint inside of these areas to fix things up.

140
00:08:15,000 --> 00:08:18,990
Now we need to see the image again, so I'll Alt+Click or Option+Click on that

141
00:08:19,000 --> 00:08:21,990
layer mask thumbnail in order to see that image.

142
00:08:22,000 --> 00:08:25,990
We've got a problem right there, so press the X key and I'll paint that away like

143
00:08:26,000 --> 00:08:29,990
so. And then I might click and Shift+ Click to do that number where I'm kind of

144
00:08:30,000 --> 00:08:33,990
carving off these little sort of straight-line details here.

145
00:08:34,000 --> 00:08:36,990
We'll take care of some of the lumpiness in just a moment. All right!

146
00:08:37,000 --> 00:08:41,990
Now I want to smooth off some of these details, and I'm going to do that by

147
00:08:42,000 --> 00:08:47,990
grabbing my Rectangular Marquee tool and selecting some of these regions like that.

148
00:08:48,000 --> 00:08:50,990
Then I'll go up to the Filter menu and just choose Median--that's all you have

149
00:08:51,000 --> 00:08:54,990
to do, from the top; or you could press Ctrl+F or Command+F on the Mac--to

150
00:08:55,000 --> 00:08:57,990
solidify those details just a little bit.

151
00:08:58,000 --> 00:09:00,990
I might also--I'm going to Alt+Click or Option+Click here.

152
00:09:01,000 --> 00:09:01,990
Actually, this looks pretty good.

153
00:09:02,000 --> 00:09:03,990
This is very sharp detail.

154
00:09:04,000 --> 00:09:07,990
I'll go ahead and Alt+Click or Option+ Click again to switch back to the image.

155
00:09:08,000 --> 00:09:11,990
I'm seeing a little bit of a line right there, so I'm going to use the Smudge tool.

156
00:09:12,000 --> 00:09:15,990
This is a tool I just grabbed there in order to tuck that in just a little bit.

157
00:09:16,000 --> 00:09:20,990
Now we have to build the shoulder manually, this area, because our detail, if I

158
00:09:21,000 --> 00:09:23,990
Shift+Click on the layer mask, you'll see, we've got white on white.

159
00:09:24,000 --> 00:09:26,990
That's just not going to be something we can preserve very easily.

160
00:09:27,000 --> 00:09:31,990
However, we can trace the line using the Brush tool pretty darn easily actually.

161
00:09:32,000 --> 00:09:33,990
So I'll Shift+Click on the layer mask to turn it back on.

162
00:09:34,000 --> 00:09:34,990
Make sure it's active.

163
00:09:35,000 --> 00:09:37,990
Go ahead and grab that Brush tool.

164
00:09:38,000 --> 00:09:40,990
And I'm going to press the X key so my foreground color is white.

165
00:09:41,000 --> 00:09:42,990
I'm just going to click right there to find where the shoulder is.

166
00:09:43,000 --> 00:09:47,990
It's at that location, essentially, the center of the missing region of shoulder.

167
00:09:48,000 --> 00:09:49,990
So I'll align my brush with it like so.

168
00:09:50,000 --> 00:09:54,990
Then I'll press Ctrl+Z or Command+Z on the Mac in order to undo that brushstroke.

169
00:09:55,000 --> 00:09:58,990
Then I'll click right there, and I will Shift+Click right about there in order to

170
00:09:59,000 --> 00:10:04,990
fill in that detail, and then I'll click there and I'll Shift+Click up here to

171
00:10:05,000 --> 00:10:05,990
fill in that little bit of detail.

172
00:10:06,000 --> 00:10:07,990
That looks pretty good to me.

173
00:10:08,000 --> 00:10:12,990
Now it might be a little too harsh, so I'll just smear it a little using the Smudge tool.

174
00:10:13,000 --> 00:10:16,990
All right! And same here, on her shoulder, these areas can be smudged just a little bit.

175
00:10:17,000 --> 00:10:19,990
Notice I'll sometimes, by the way, smudge back and forth.

176
00:10:20,000 --> 00:10:21,990
I'm not brushing right now, I'm just showing you.

177
00:10:22,000 --> 00:10:26,990
I'll sometimes smudge back and forth just to soften the detail ever so slightly. All right!

178
00:10:27,000 --> 00:10:30,990
Notice now over here in her fingers we've got some very rough details going on.

179
00:10:31,000 --> 00:10:33,990
And we have some problems where the earring is concerned.

180
00:10:34,000 --> 00:10:36,990
We've obviously got some missing details inside of Mary's face, and we're

181
00:10:37,000 --> 00:10:41,990
going to have to get those hairs that are coming into the region occupied by

182
00:10:42,000 --> 00:10:43,990
the man in the background, which we can see now that I Shift+Clicked on the

183
00:10:44,000 --> 00:10:45,990
layer mask to turn it off.

184
00:10:46,000 --> 00:10:48,990
Now so far, we've been able to fill in a lot of our mask using the automation of

185
00:10:49,000 --> 00:10:50,990
the Color Range command.

186
00:10:51,000 --> 00:10:54,990
From this point on, however, we're going to have to rely on a lot of manual painting,

187
00:10:55,000 --> 00:11:05,000
and I'll show you how that works in the next movie.

